She was so sassy! Yes, that seemed like the worst idea ever. His memory is intact today, but he knows that with his dementia and brain tumor, his days are numbered. Contract marriages are nothing new to our beloved world of dramas; surely, viewers could also point out dozens where the unavoidable presence of an outsider begins to positively affect a fractured family. As much as the ending plot device of the female lead venturing off on her own to find herself gets tiresome, in this case it made up for it a little. His Kwon Yul felt fully realized and remarkably attractive, despite being depicted as a little stiff and unbending by the writing. But he played a second male lead that I only felt somewhat torn over. There were aspects of her that were lovely and admirable, but she just lost the spirit and feistiness that would have made me want to be her best friend. Even with the big anti-climactic "blah," I have no regrets having watched it to completion. Curly and sassy on left, Straight and dull on right. What did you think of The Prime Minister and I?
Yul bids goodbye to the ministers and his staffers the following morning as he leaves the estate for the last time. There were aspects of her that were lovely and admirable, but she just lost the spirit and feistiness that would have made me want to be her best friend. Several instrumentals caught my ear over the course of Prime Minister and I, but truly memorable tracks landed with the vocals. The one consistent positive for me was Lee Bum Soo as the prime minister. This is how Yul finds her, arriving a minute too late. Their mother is dead, Woo-ri had reminded his siblings, then bitterly remarked that if their mother were alive, she definitely would have come back to them earlier. He sent me into some serious baby hungriness as only really adorable Asian kids can. Which is also in her favor because she has a terminally ill father whose dying wish is to walk his daughter down the aisle. What kind of logic is that? Pacing between dramatic, romantic, and comedic elements typically held up well. The same thing happened in History of a Salaryman. But as with the cinematography, I found some musical choices a bit messy in initial episodes. Da-jung formally introduces herself and requests an interview with the presidential candidate for her upcoming book entitled—wait for it—Prime Minister and I. He assures her that everything will be fine. He considers it a miraculous present from her father, words that warm her heart. Na-young breaks down in sobs right then and there outside, but did you really think that your children would accept you right away with open arms? Early episodes might have exhibited cinematographic awkwardness, but any such issue was quickly ironed out. Curly and sassy on left, Straight and dull on right. The doctor says Dad went into shock, but thankfully is in stable condition now. When he asks how long the interview will take, she asks teasingly if he plans on only giving her ten minutes of his time. In an odd coincidence this analogy works here as well, though without some of the positive connotations. All that changed with the poor handling of a certain plot point. But at least you can rest assured that our hero remains true to his admirable and honorable self, going beyond the call of duty when it comes to reconciliation and forgiveness. Yes, there was a patch in the middle where the writers made him shout at his wife a little too much for my taste, but I thought he handled the role really well overall. Not to mention that it just led to the whole thing evolving from a fun romantic comedy to a lackluster melodrama. Contract marriages are nothing new to our beloved world of dramas; surely, viewers could also point out dozens where the unavoidable presence of an outsider begins to positively affect a fractured family.
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